Women of the Page panel @ The Frick

I made it through the Women of the Page panel at the Frick Art & Historical Center without tripping, burping or falling off my chair. Great news!

It was a fun night and I got to see the Draw Me a Story exhibit, too. Well, sort of. I wasn’t wearing my glasses, so I didn’t really get to read all the information that was included with each illustration, but I got a general idea of what the illustrations looked like. That should be something.

My favorite illustration was the one by WPA artist George Avison called, “Bucking Bronco.” It was the cover for the book Sunflight, and the original painting was matted and framed leaving all the handwritten notes and instructions visible. The book itself was displayed in a case alongside the original.

I also want to see (with my glasses) the sketch Maurice Sendak did of Max from Where the Wild Things Are. It was so small. I really need to wear my glasses next time.

The Chris Van Allsburg one is another one that is probably going to be incredible when I finally see it. All those details. This illustration was for the book The Z Was Zapped. I’ve never seen the book, but it sounds a bit like The Gashlycrumb Tinies in that it’s an alphabet book and each letter meets an untimely demise. And, as a type geek, I love the inside joke: The book follows the “Caslon Players,” Caslon being the font the book was set in.

As an aside, I feel terrible for Thomas Taylor. He did the original illustrations for the first Harry Potter book, but was dropped for someone more established after the book became a hit. He was only out of college for two years, and Harry Potter and the Philosopher’s Stone was his first commission. Poor kid. You gotta feel for him.

I’ve got one! (My first book signing)

So on my way out the door after that panel discussion at the Frick Art & Historical Center (that I told you about here), Susan Bails, another one of the nice Assistant Curators of Education there, stopped me and asked if I was going to be busy April 14. It’s a Saturday.

She said they were having a Family Day at the Frick that day with book readings and puppets and movies and book signings and would I be interested in signing my books? With my new buddy Stacy Innerst? Stacy? Stacy’s great! Of course I would be interested in signing books!

Here’s the scoop:

What: A book signing. I’ll bring hardcover and paperbacks of Twisted: Tales to Rot Your Brain Vol. 1, some prints and posters of illustrations from the book (I still have to check to make sure I’ll be allowed to sell items that aren’t books, but I’m going to try), and I’ll even give you a free bookmark with every book you buy.
Where: The Frick Art & Historical Center, in the museum rotunda (it’s a beautiful building, by the way)
When: Saturday, April 14 from 1:30-2:30

Stop in and say, “Hi!” Please! I’m hoping some people will stand in a line in front of me, not just Stacy.

Book signing @ The Frick

Last week I was one of the speakers on a panel at the Frick Art & Historical Center in Pittsburgh. We talked about writing and illustrating kid’s books, and I wrote a preview about it on my kid’s illustration blog here.

The museum’s current exhibit is Draw Me a Story: A Century of Children’s Book Illustration, and on Saturday, April 14 they’re going to have a family day. Admission will be free with lots of activities for kids throughout the day. Besides book readings, puppets and movies, they’re also going to have book signings, and they’ve asked me to be a part of that.

So. I’ll be doing my first book signing for Twisted: Tales to Rot Your Brain Vol. 1 a week from this Saturday! Here’s the info:

What: Book signing (along with my new buddy Stacy Innerst)
Date: Saturday, April 14
Time: 1:30-2:30 pm
Location: The Frick Art & Historical Center, in the museum rotunda

For more info: http://www.thefrickpittsburgh.org/programs_events/The_Frick_is_for_Families.php

Draw Me a Story: A Century of Children’s Book Illustration

I’m excited to be part of a three-woman panel at the Frick Art & Historical Center on March 28 which will coincide with their exhibit Draw Me a Story: A Century of Children’s Book Illustration. Elizabeth Fitzgerald Howard and Elizabeth Perry will be the other two panelists. I will play the part of “The Person Who Is Not Elizabeth.”

Our panel is titled Women of the Page, and the last I heard they already had around 70 reservations in the books, which means they’re almost sold out. The event starts with a cocktail hour in the rotunda of the museum. The exhibit will be open for the cocktail hour from 7:00 through 8:00.

They’re going to start our part of the program talking about favorite female children’s book authors. Our panel will then share our experiences as authors and illustrators including our processes, how we became interested in the business, how we developed our styles and how we got our work seen, among other things they haven’t thought up to throw at us yet.

I’m not nervous.

The Draw Me a Story exhibit runs through May 20, 2012.

The image above is a watercolor on paper by Charles James Folkard (1878–1963) called “King of the goblins.” It’s from the book The Princess and the Goblin, published in 1949. The painting is small, only 9 ¼ x 6 ¼ inches. It’s part of the collection of the Cartoon Art Museum in San Francisco, CA. The photo of the painting was taken by E. G. Schempf.

Midwest Book Review on Twisted: Tales to Rot Your Brain: “very much recommended”

I sent Twisted: Tales to Rot Your Brain Vol. 1 out to reviewers back in January, and at the time I was thinking getting a review from The Midwest Book Review looked kind of promising. Turns out I was right.

Not every book that gets sent to TMBR actually gets a review, so just the fact that they did review mine makes me terribly happy. Here’s what they had to say:

“Life doesn’t make a whole lot of sense, so sometimes we need some stories to match the madness. Twisted Tales to Rot Your Brain Vol. 1 presents unusual stories of flash fiction, meant to bring readers into a dizzying spin of problems and how those losing it may deal with it in all the wrong ways.  Twisted Tales to Rot Your Brain is a humorous and intriguing delve into flash fiction, very much recommended.”

Did you catch that? “Very much recommended.” (!) So not only did they review the book, they also liked it!

I’ve updated the book’s listings on Amazon to include the review, but I’m still working on updating the Barnes & Noble listing. I’m also brainstorming all the ways I need to use the review in promotional materials: business cards, Facebook, Twitter, blog (duh), newsletters, sites, book stickers, and on and on. Looks like even more late nights are in order.

My illustrations @SCBWI Bologna

Each year, the Society of Children’s Book Writers and Illustrators (SCBWI) mans a booth at the Bologna Children’s Book Fair, and they take along a portfolio of pieces from selected members. I entered my work and was selected to be a part of that portfolio, along with just 39 other people. I’m very grateful and excited that my illustrations will be participating!

Along with the physical portfolio in Italy, SCBWI also displays a gallery of art from the participating illustrators on their Website. Here’s the link to this year’s page. Bummer having a last name that starts with a letter of the alphabet that’s toward the end and requiring a scroll down, but there you go. I’m happy to be there.

The image up above is one of the illustrations that will be included on my page in the physical portfolio, and it’s the one I chose to represent my style on the SCBWI Web gallery.

This just in: Root canals may be good for your creativity

I’m starting to believe root canals have their benefits if maybe you’re a creative person. I’m starting to believe this because I’m trying to find a bright side. Over the last couple of weeks I’ve endured yet another one, and it got me thinking about pain and what in this world I can do about it.

A little over a year ago I had the root canal that gives root canals a bad name. It started a few years earlier than that with a “root canal” that I had with a different dentist that had been done very incompletely. He didn’t bother digging into the root that was curved (he didn’t want to bother, I guess) and he didn’t dig all the way to the end of one of the roots where he did bother (he must have been thinking along the lines of “good enough”). The only reason we discovered the problem was because the cap that he put on fell off one day while I was eating a salad.

A very good argument against eating more salads, I’m thinking.

My regular dentist thought the root canal I needed would be better off being done by a root canal specialist. Cause, you know, it was going to be a tough one. I didn’t even realize those people actually existed.

My zombie tooth

I went in with a positive attitude. They projected the image of my injured tooth right on the screen in front of me, and I took a picture of it when they were out of the room. I called it my zombie tooth.

The rubber mouth thingy

When it came time for the actual root canal, the first thing that got me going was the rubber contraption they attached in my mouth. I’m not sure if claustrophobic would be the feeling, but I never, ever want to have one of those in my mouth again. Ever. I spent the hour of the first visit while he was working on my tooth trying to convince myself that I could still swallow and he really wasn’t trying to suffocate me. Yeah. A little panicky. Then I spent the hour of my second visit doing the same thing. Then I figured out that stress excites my bladder and before I left the dentist’s office (on both visits), I had the longest bathroom break of my entire life. I’m not kidding.

As it turns out, the actual root canal was just the beginning.

Twenty-four hours later, almost to the minute, the pain kicked in. The prescription for pain killers did next to nothing. Also, my face swelled up like somebody beat me up. And really, they did.

Here’s the thing, though. The pain was pretty much unbearable, but look at where it took me: zombies, claustrophobia, suffocation and headaches. So I sat down and wrote, and I let my imagination take the story where it wanted to go. I wrote about how it felt like something was trying to break out of my head. I wrote from the perspective of the thing trying to break out. I combined the two and edited and rewrote.

Then I included the story in the Twisted book. It’s called “Headache,” and it made me feel better after I wrote it. And it all started with a common dental procedure.

The zombie part didn’t make it in to the story. Maybe Vol. 2.

Tots. Made from taters

Anyone who knows me well enough knows I’m not much of a cooker. I’d rather be spending my time creating something that won’t be coming out my other end tomorrow, if you know what I mean.

But sometimes, you just gotta do it.

I made some tater tots, completely from scratch which, I realize, isn’t saying much, but it’s more effort than I usually put out. I was proud of how they looked, and I got a thumbs-up from the hubby. But I don’t know that I’ll be doing it again very soon. It’s just too easy to buy the little frozen guys. Here’s the recipe I used anyway, if you’re so inclined:

Tater Tots (from Can You Stay for Dinner—her post is funnier, by the way)

serves five, as a side dish

3 medium potatoes, finely grated and dried well
¼ C all-purpose flour
1 t salt, plus more for serving
½ t black pepper (I didn’t use any pepper in mine)
¼ C Canola oil

Mix the potatoes with the flour, salt and pepper. Form into 1″ logs.

Heat oil in a large pot until it is so hot that dripping a drop of water on the surface immediately sizzles and spatters. Add tots and fry until all sides are golden brown.

Serve hot with extra salt.

Pennsylvania Academic Standards

One of the things I wanted to put an effort into once I got the book printed was organizing school visits to talk about it. I decided that before I started trying to put a school visit schedule together, it would be a good idea to give schools a reason to have me there.

Yeah, that would be a really good idea.

I know they are on tight budgets these days and aren’t able to bring in entertainment like they used to do when I was in school (back in the day). They need their programs to fit their curriculum or they won’t be able to justify the expense. So I’m saying hello to the Pennsylvania Academic Standards.

I wanted to do as much work ahead of time for the schools as possible, so my next step is downloading and pouring over lots of pages of academic standards. I’ve decided to concentrate on my home state to get started (Pennsylvania, duh), and I’ve downloaded the English and Art academic standards from the state’s Web site. (The pdf for the Arts and Humanities standards is “pdfarts.pdf” by the way. Made me giggle.)

I’m not looking forward to trying to decipher and then figure out how to apply some of this stuff, but you know what helps in situations like these? When your husband was an art education professor for 35 years and offers to help. Mine was. And he did. Yep. That’s a big help.